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Historic Arkansas Museum
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ACANSA Gallery
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About
Gallery
Partners
Historic Arkansas Museum
Thea Foundation
Laman Library – Argenta Branch
ACANSA Gallery
Programs
Supporters
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62nd Delta Exhibition Gallery
Oluwatobi Adewumi, <em>Product of the Society</em>, 2019, charcoal on paper, 21 x 31 inches
John Allison, <em>Diptych - Pathway to Compassion</em>, 2019, oil, cold wax, pigment stick and carbon on canvas, 60 x 96 inches
Joe Barnett, <em>Grace</em>, 2018, wax and acrylic paint on canvas, 28 x 36 inches
James Bell, <em>SP&S 700-Teslow</em>, 2020, digital photographic print, 10 x 15 inches
Deitra Blackwell, <em>Three Containers</em>, 2020, brass and copper, 12 x 15 x 12 inches
Scott Blair, <em>The Sweet Smell of Being Lost</em>, 2020, digital photographic print, 16 x 24 inches
Aaron Bleidt, <em>Drawn to the Moon</em>, 2019, freehand digital drawing and archival pigment ink print on 310gsm 100% cotton cold press paper, 36 x 24 inches
Joel Boyd, <em>Blue House, Little Rock</em>, 2020, acrylic on canvas, 18 x 24 inches
Robbie Brindley, <em>Gethsemane, AR</em>, 2018-2019, 120 film scan printed on breathing color elegance velvet paper, 20 x 24 inches
Brian Bundren, <em>Untitled</em>, 2019, oil on panel, 32 x 36 inches
Cynthia Buob, <em>Filter</em>, 2020, charcoal on paper, 26 x 20 inches
Aaron Calvert, <i>Rocket Rabbit</i>, 2020, stoneware clay, underglaze, and gold ceramic enamel, 19 x 12 x 9 inches
Dean Dablow, <em>Corinth</em>, 2019, acrylic on wood, 20 x 84 inches
Anais Dasse, <em>Hog Hunting</em>, 2018, charcoal, graphite, oil, and acrylic paint on gessoed paper, 48 x 77 inches
Tessa Davidson, <em>With You Always</em>, 2019, time-based media, 5:17 minutes
Britynn Davis, <em>Driveway Series</em>, 2020, jacquard woven tapestry created on TC-2 Loom, fabric, and spray paint, 54 x 39 x 2 inches
Don DuMont, <em>Thursday Friday Spirit</em>, 2018, mahogany, pewter, forged steel, and limestone, 31 x 18 x 6 inches
Margo Duvall, <em>Warning Flags</em>, 2019, digital chromogenic print, 24 x 48 inches
Robert Fairchild, <em>Tell all the people you see. Follow me. Follow me down.</em>, 2019, oil on canvas, 36 x 72 inches
Thomas Faulkner, <em>Did you get that thing I sent you?</em>, 2020, saw horse, found mailbox obelisk, scrap wood, screws, rubber mat, oil on envelope, 42 x 69 x 27 inches
Johnny Ferrell, <em>Solitary Log</em>, 2020, pinhole photograph on paper, 16 x 16 inches
David Foss, <em>Family Jewels</em>, 2020, acrylic and ink on printed fabric, 54 x 36 inches
William Goodman, <em>Shine</em>, 2019, image transfer, polymer paint, aerosol, and charcoal on wooden panel, 36 x 48 x 2 inches
Leah Grant, <em>Notice</em>, 2019, cyanotype and screenprint on BFK printmaking paper, 30 x 22 inches
Wade Hampton, <em>The Family</em>, 2019, oil on wood, 24 x 36 inches
Sharon Havelka, <em>Wayfinding</em>, 2019, quilted and embroidered pillow case with cloth remnants, vinegar print, coffee and tea stained muslin, and plastic, 34 x 42 x 8 inches
Robin Hazard, <em>A Little Pot of Oregano / aka That Damn Harvey</em>, 2019, oil on canvas, 60 x 48 inches
Reece Henderson, <em>Your Own Ghost</em>, 2019, stoneware and underglaze, 27 x 23 x 11 inches
Anton Hoeger, <em>Woman with Red Shoes</em>, 2019, oil on canvas, 43 1/3 x 43 1/3 inches
Dawn Holder, <em>Fallen Monuments</em>, 2019, digital color print on panel, 24 x 48 inches
Jeanie Hursley, <em>Imminent</em>, 2018, charcoal and Conté crayon on mylar, 27 x 34 inches
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches
Chris Hynes, <em>Spirit</em>, 2020, clay and found objects, 24 x 18 x 6 inches
Jed Jackson, <em>Blue Surfer</em>, 2020, oil on wood, 12 x 12 inches
Ajamu Kojo, <em>Wakanda Don’t Cry</em>, 2018, Mischtechnik and gold leaf on linen canvas, 34 x 44 inches
Cynthia Kresse, <em>Fenceline and Chicken House</em>, 2019, pastel on paper, 24 x 24 inches
John Lasater, <em>Annunciation of Summer</em>, 2019, oil on canvas, 30 x 40 inches
Deborah Lillie, <em>Isle De Jean Charles, No. 373</em>, 2019, inkjet print, 12 x 12 inches
Jeff Mickey,<em> UP</em>, 2019, painted wood, 27 x 10 x 10 inches
Joe Morzuch, <em>Green Chair</em>, 2019, oil on canvas on panel, 44 x 60 inches
David Mudrinich, <em>Discordant Hives</em>, 2018, pastel on brown paper, 26 x 18 inches
Greely Myatt, <em>Dakota</em>, 2019, charred poplar, soapstone, copper, steel, and limestone, 22 x 7 x 7 inches
Dale Newkirk, <em>USS Midway at Sea #1</em>, 2020, pigmented digital print on canvas, acrylic, and spray paint with wood and steel hanging rods, 64 x 40 inches
Liz Noble, <em>Rally</em>, 2019, acrylic on cavas, 36 x 60 inches
Kayla O'Neal, <em>Center of My System</em>, 2020, acrylic and gold foil on wooden panel with time-based media aspects, 23 x 23 x 3 1/2 inches
Ray Allen Parker, <em>Bodhi's Mom</em>, 2019, oil on canvas, 48 x 36 x 3 inches
Ed Pennebaker, <em>Sedimentary</em>, 2019, fused glass, cast glass, steel, sandstone, lighting hardware, and motion detector, 56 x 39 x 26 inches
Lee Robertson, <em>Circus Anvils</em>, 2020, steel anvils, plate, and acrylic paint, 78 x 60 x 40 inches
David Malcolm Rose, <em>Please Call Again</em>, 2020, acrylic on canvas, 24 x 36 inches
Euphus Ruth, <em>Cemetery Cotton</em>, 2019, wet-plate collodion photography and black glass ambrotype, 12 x 20 inches
Barbara Satterfield, <em>Buckeye Seed Pods Presented</em>, 2020, coil-built earthenware, oil paint, and encaustic with press molds of buckeye seed pods, 16 x 19 x 15 inches
Justin Shaw, <em>Hoof</em>, 2019, wood, blue corn, resin, and found objects, 30 x 20 x 14 inches
Chassidy Siratt, <em>Untitled</em>, 2019, tea toned cyanotype on watercolor paper, 49 x 18 inches
Derek Slagle, <em>Pawn</em>, 2018, giclée print from film negative on Hahnemuhle photo rag 308 paper, 16 x 20 inches
Steve Spencer, <em>Dip Cone Kinda Day</em>, 2019, acrylic paint on canvas, 20 x 20 inches
Marilyn Avery Turner, <em>Pointed Questions</em>, 2018, monotype/chine colle, and Litho ink on rice paper, 8 x 8 inches
Anna Wagner, <em>Brain Fart</em>, 2019, stoneware, glaze, and commercial underglaze colored slip, 8 x 8 x 9 inches
Louis Watts, <em>Olive Branch (Ship Minerva)</em>, 2019, graphite on paper mounted to panel, 8 x 6 inches
Elizabeth Weber, <em>Social Distancing</em>, 2019, leaf skeletons, honey locust thorns, wool roving, and dandelion wishes, 9 ½ x 12 x 12 inches
Mildred West, <em>Rooftop, Havanna</em>, 2019, archival inkjet color photograph printed on fiber semi-gloss paper, 11 x 17 inches
Stephanie Williams, <em>The Woodsman and the Crane</em>, 2019, pen and Sharpie on newspaper, 11 x 22 ½ inches
Steven Wise, <em>Lost Valley</em>, 2019, oil on canvas, 44 x 32 x 2 inches
Anna Zusman, <em>Figure in an Interior 1</em>, 2019, digital art printed on archival paper, 9 x 15 inches
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 1
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 2
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 3
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 4
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 5
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 6
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 7
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 8
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 9
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 10
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 11
Tim Hursley, <em>Muskogee House</em>, 2020, black and white photographs on fiber print, 78 x 73 inches - Detail 12
Aaron Calvert, <em>Rocket Rabbit</em>, 2020, stoneware clay, underglaze, and gold ceramic enamel, 19 x 12 x 9 inches - Detail 1
Aaron Calvert, <em>Rocket Rabbit</em>, 2020, stoneware clay, underglaze, and gold ceramic enamel, 19 x 12 x 9 inches - Detail 2
Thomas Faulkner, <em>Did you get that thing I sent you?</em>, 2020, saw horse, found mailbox obelisk, scrap wood, screws, rubber mat, oil on envelope, 42 x 69 x 27 inches - Detail 1
Thomas Faulkner, <em>Did you get that thing I sent you?</em>, 2020, saw horse, found mailbox obelisk, scrap wood, screws, rubber mat, oil on envelope, 42 x 69 x 27 inches - Detail 2
Deitra Blackwell, <em>Three Containers</em>, 2020, brass and copper, 12 x 15 x 12 inches - Detail 1
Deitra Blackwell, <em>Three Containers</em>, 2020, brass and copper, 12 x 15 x 12 inches - Detail 2
Joel Boyd, <em>Blue House</em>, Little Rock, 2020, acrylic on canvas, 18 x 24 inches - Detail 1
Joel Boyd, <em>Blue House</em>, Little Rock, 2020, acrylic on canvas, 18 x 24 inches - Detail 2
Don DuMont, <em>Thursday Friday Spirit</em>, 2018, mahogany, pewter, forged steel, and limestone, 31 x 18 x 6 inches - Detail
Sharon Havelka, <em>Wayfinding</em>, 2019, quilted and embroidered pillow case with cloth remnants, vinegar print, coffee and tea stained muslin, and plastic, 34 x 42 x 8 inches - Detail 1
Sharon Havelka, <em>Wayfinding</em>, 2019, quilted and embroidered pillow case with cloth remnants, vinegar print, coffee and tea stained muslin, and plastic, 34 x 42 x 8 inches - Detail 2
Sharon Havelka, <em>Wayfinding</em>, 2019, quilted and embroidered pillow case with cloth remnants, vinegar print, coffee and tea stained muslin, and plastic, 34 x 42 x 8 inches - Detail 3
Sharon Havelka, <em>Wayfinding</em>, 2019, quilted and embroidered pillow case with cloth remnants, vinegar print, coffee and tea stained muslin, and plastic, 34 x 42 x 8 inches - Detail 4
Tessa Davidson, <em>With You Always</em>, 2019, time-based media, 5:17 minutes
Dawn Holder, <em>Fallen Monuments</em>, 2019, digital color print on panel, 24 x 48 inches - Detail 1
Dawn Holder, <em>Fallen Monuments</em>, 2019, digital color print on panel, 24 x 48 inches - Detail 2
Dawn Holder, <em>Fallen Monuments</em>, 2019, digital color print on panel, 24 x 48 inches - Detail 3
Dawn Holder, <em>Fallen Monuments</em>, 2019, digital color print on panel, 24 x 48 inches - Detail 4
Kayla O'Neal, <em>Center of My System</em>, 2020, acrylic and gold foil on wooden panel with time-based media aspects, 23 x 23 x 3 1/2 inches
Ed Pennebaker, <em>Sedimentary</em>, 2019, fused glass, cast glass, steel, sandstone, lighting hardware, and motion detector, 56 x 39 x 26 inches - Detail 1
Ed Pennebaker, <em>Sedimentary</em>, 2019, fused glass, cast glass, steel, sandstone, lighting hardware, and motion detector, 56 x 39 x 26 inches - Detail 2
Lee Robertson, <em>Circus Anvils</em>, 2020, steel anvils, plate, and acrylic paint, 78 x 60 x 40 inches - Detail 1
Lee Robertson, <em>Circus Anvils</em>, 2020, steel anvils, plate, and acrylic paint, 78 x 60 x 40 inches - Detail 2
Lee Robertson, <em>Circus Anvils</em>, 2020, steel anvils, plate, and acrylic paint, 78 x 60 x 40 inches - Detail 3
Lee Robertson, <em>Circus Anvils</em>, 2020, steel anvils, plate, and acrylic paint, 78 x 60 x 40 inches - Detail 4
Lee Robertson, <em>Circus Anvils</em>, 2020, steel anvils, plate, and acrylic paint, 78 x 60 x 40 inches - Detail 5
Barbara Satterfield, <em>Buckeye Seed Pods Presented</em>, 2020, coil-built earthenware, oil paint, and encaustic with press molds of buckeye seed pods, 16 x 19 x 15 inches - Detail
Justin Shaw, <em>Hoof</em>, 2019, wood, blue corn, resin, and found objects, 30 x 20 x 14 inches - Detail 1
Justin Shaw, <em>Hoof</em>, 2019, wood, blue corn, resin, and found objects, 30 x 20 x 14 inches - Detail 2
Anna Wagner, <em>Brain Fart</em>, 2019, stoneware, glaze, and commercial underglaze colored slip, 8 x 8 x 9 inches - Detail 1
Anna Wagner, <em>Brain Fart</em>, 2019, stoneware, glaze, and commercial underglaze colored slip, 8 x 8 x 9 inches - Detail 2
Louis Watts, <em>Olive Branch (Ship Minerva)</em>, 2019, graphite on paper mounted to panel, 8 x 6 inches - Detail
Elizabeth Weber, <em>Social Distancing</em>, 2019, leaf skeletons, honey locust thorns, wool roving, and dandelion wishes, 9 ½ x 12 x 12 inches - Detail